Sandro Botticelli
Sandro Botticelli's Oil Paintings
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c. 1445 – May 17, 1510. Italian painter.

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Johann Wilhelm Preyer
Vase filled with flowers

ID: 96469

Johann Wilhelm Preyer Vase filled with flowers
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Johann Wilhelm Preyer Vase filled with flowers


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Johann Wilhelm Preyer

painted A Still Life with Peaches and Grapes on a Marble Ledge in 1803-1889  Related Paintings of Johann Wilhelm Preyer :. | Grapes peaches and plums on a marble ledge | Gartenblumenstraub im Krug | Prunes and grapes on a damast tablecloth | Dessertfruchte mit Elfenbeinhumpen | nuts and a glass on a marble ledge |
Related Artists:
Monticelli, Adolphe-Joseph
French, 1824-1886 French painter. In 1846, after studying at the Ecole d'Art in Marseille, Monticelli left Provence to study in Paris with Paul Delaroche. Although he had been trained to work in a Neo-classical style by his teachers in Marseille, in Paris he admired the Troubadour pictures of such artists as Pierre R?voil and Fleury Richard and the bold colours and rich surface impasto of Delacroix's oil sketches. He also copied many of the Old Masters in the Louvre. When he returned to Marseille in 1847 Emile Loubon (1809-63), newly appointed director of the Ecole de Dessin in Marseille and a friend of many realist landscape painters in Paris, encouraged him and another local painter, Paul Guigou
John Scarlett Davies
Australian Painter, 1864-1939
William Congreve
(24 January 1670 - 19 January 1729) was an English playwright and poet. Congreve was born in Bardsey, West Yorkshire, England (near Leeds). His parents were William Congreve (1637-1708) and his wife, Mary; a sister was buried in London in 1672. He spent his childhood in Ireland, where his father, a Cavalier, had settled during the reign of Charles II. Congreve was educated at Trinity College in Dublin; there he met Jonathan Swift, who would be his friend for the remainder of his life. Upon graduation, he matriculated in the Middle Temple in London to study law, but felt himself pulled toward literature, drama, and the fashionable life.






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